INKstudio
Skip to main content
  • Menu
  • Artists
  • News
  • Exhibitions
  • Art Fairs
  • Viewing Room
  • Publications
  • Documents
  • Videos
  • About
  • EN
  • 中文
Menu
  • EN
  • 中文

New York | Many Splendored Spring: The Extraordinary Flower-Landscapes of Peng Kanglong

Past exhibition
15 - 19 March 2023
Open a larger version of the following image in a popup: Peng Kanglong 彭康隆, Jade Inlaid Vermilion Sky 彤天栽玉, 2022

Peng Kanglong 彭康隆

Jade Inlaid Vermilion Sky 彤天栽玉, 2022
Ink and color on paper 纸本水墨设色
145 x 80 cm x 3
57 1/8 x 31 1/2 in x 3
Copyright The Artist
Enquire
%3Cdiv%20class%3D%22artist%22%3EPeng%20Kanglong%20%E5%BD%AD%E5%BA%B7%E9%9A%86%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EJade%20Inlaid%20Vermilion%20Sky%20%E5%BD%A4%E5%A4%A9%E6%A0%BD%E7%8E%89%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EInk%20and%20color%20on%20paper%20%E7%BA%B8%E6%9C%AC%E6%B0%B4%E5%A2%A8%E8%AE%BE%E8%89%B2%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E145%20x%2080%20cm%20x%203%3Cbr/%3E%0A57%201/8%20x%2031%201/2%20in%20x%203%3C/div%3E
In the triptych Jade Inlaid Vermillion Sky, Peng Kanglong uses the xuejing or “snowy landscape” method to paint a fantastic, imaginary garden scene in which peonies float like white clouds...
Read more
In the triptych Jade Inlaid Vermillion Sky, Peng Kanglong uses the xuejing or “snowy landscape” method to paint a fantastic, imaginary garden scene in which peonies float like white clouds in a vermillion sky and intertwine with spindly, black garden rocks jutting from the blue-green ground. Just as in a snow landscape where empty sky is painted gray and the solid ground is left untouched, Peng renders the solid forms of the peonies and its branches in liubai or “untouched white” while painting the sky a soft vermillion hue. Furthermore, through the play of light and shadow on the thick, fibrous texture of his bespoke paper, Peng’s conjures substance and dimensionality to the peony’s booms and twisting branches reserved in untouched white.

在《彤天栽玉》三联屏中,彭康隆用描绘雪景的方法绘制了一个想象中的梦幻园林场景。其中,牡丹犹如白云漂浮在彤红色的天空,与青色地面上纤细镂空的黑色太湖石交织在一起。与雪景画相似,空旷的天空施以灰色,而地面及其他物体的表面则以留白表现积雪,彭康隆也用留白表现出牡丹及其枝干的形态,同时将天空施以柔和的彤红色调。此外,通过在布满粗糙纤维的特制宣纸上调整光影不同变化,彭康隆为留白牡丹花朵及其弯曲的枝条赋予了实体感与立体感。
Close full details
Previous
|
Next
3 
of  19
Back to exhibitions

INKstudio 墨齋

 

Tel: +86 10 6435 3291

Red No. 1-B1, Caochangdi

Chaoyang District, Beijing, China 100015

Tuesday - Sunday 10.00am - 6.00pm

Follow us on Wechat
Follow us on Wechat
 
Facebook, opens in a new tab.
Instagram, opens in a new tab.
Weibo, opens in a new tab.
Join the mailing list
Send an email
View on Google Maps
Accessibility Policy
Manage cookies
Copyright © 2025 INKstudio
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences