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Walking Penumbra: Zheng Chongbin

Past exhibition
24 March - 3 June 2018
Open a larger version of the following image in a popup: Zheng Chongbin 郑重宾, Unknown Formation 未知的成形, 2018

Zheng Chongbin 郑重宾

Unknown Formation 未知的成形, 2018
Ink, acrylic, xuan paper, nylon, aluminum 墨 丙烯 宣纸 尼龙 铝
70 1/2 x 80 3/4 in
179 x 205 cm
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%3Cdiv%20class%3D%22artist%22%3EZheng%20Chongbin%20%E9%83%91%E9%87%8D%E5%AE%BE%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUnknown%20Formation%20%E6%9C%AA%E7%9F%A5%E7%9A%84%E6%88%90%E5%BD%A2%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2018%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EInk%2C%20acrylic%2C%20xuan%20paper%2C%20nylon%2C%20aluminum%20%E5%A2%A8%20%E4%B8%99%E7%83%AF%20%E5%AE%A3%E7%BA%B8%20%E5%B0%BC%E9%BE%99%20%E9%93%9D%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E70%201/2%20x%2080%203/4%20in%3Cbr/%3E%0A179%20x%20205%20cm%3C/div%3E
郑重宾的艺术背景来源于中国水墨画,有着扎实的传统功底。他将那个传统中的两个要素带进了抽象绘画:其一是对绘画从古到今的延续性意识非常强烈,其二是对艺术语言的关键性的认识十分明确。对于他来说前者(即绘画史的延续性)还不仅限于其中国画传统,也包括西方艺术史,涉及范围从新石器时代的中国陶器图案到东西方各古典时期都有。比如对唐纳德·弗莱文(Donald Flavin,一九三三—一九九六)轻巧的雕塑他很着迷,又对劳伦斯·韦纳(Lawrence Weiner,一九四二—)的思想十分欣赏。
郑重宾的艺术背景来源于中国水墨画,有着扎实的传统功底。他将那个传统中的两个要素带进了抽象绘画:其一是对绘画从古到今的延续性意识非常强烈,其二是对艺术语言的关键性的认识十分明确。对于他来说前者(即绘画史的延续性)还不仅限于其中国画传统,也包括西方艺术史,涉及范围从新石器时代的中国陶器图案到东西方各古典时期都有。比如对唐纳德·弗莱文(Donald Flavin,一九三三—一九九六)轻巧的雕塑他很着迷,又对劳伦斯·韦纳(Lawrence Weiner,一九四二—)的思想十分欣赏。
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