Personal Catalogues:

 

Li Huasheng, Alisan Fine Arts Limited, Hongkong S.A.R., 1998.1.

 

Jerome Silbergeld & Gong Jisui, eds. Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng, University of Washington Press, Washington D.C.,1993.

 

Li Huasheng, Temperament and Civilization, Culture and Art Publishing House, Beijing, 2010.3.

 

Boo of Fine Arts of Essences Consciousness: Li Huasheng, Cases in Chinese Contemporary Art: Li Huasheng, Henan University Press, Henan, 2010.4.

 

Ten Cases in Chinese Contemporary Art: Li Huasheng, China Economic Publishing House, Beijing, 2010.5.

 

 

Exhibition Catalogues:

 

A Selection of Artworks by Young Chinese Landscape Painters, Tianjin People’s Fine Arts Publishing House, Tianjin, 1984.2, pp.45-46.

 

Twentieth Century Chinese Painting: ­Tradition and Innovation, Xizhitang Gallery, Taiwan, China, 1995, pp.372-373.

 

Michael Sullivan (ed.) Art and Artists of Twentieth Century China, University of California, 1996, Plate 81.

 

Art Position in Interactive Time, Art Trend Magazine, Hong Kong, 1999.9.

 

NeoInkpaintings, Guangxi Fine Arts Publishing House, Guangxi, 2000.4, pp.28-30.

 

Shanghai Biennale 2000, Shanghai Publishing House of Calligraphy and Painting, Shanghai, 2000, pp.134-137.

 

The 1th Triennial of Chinese Arts. Vol.2, Hubei Fine Arts Publishing House, Hubei, 2002.9, pp.169-171.

 

Lu Hong, ed. A Pictorial Book of Contemporary Chinese Artists (1979-1999), A Separately Published Part of Ink Art, Hubei Education Press, 2001.9, pp.161-162.

 

Gao Minglu, ed. Chinese Maximalism, Chongqing Publishing House, Chongqing, 2003, pp.68-75.

 

Yang Lizhou, ed. An Opening Era: Celebration of 40th Anniversary of Founding of China National Museum of Fine Arts, China Central Academy of Fine Arts, Beijing, 2003, pp.252-253.

 

The 4th International Ink Painting Biennale, Hebei Fine Arts Publishing House, Hebei, 2004, pp.20-25.

 

Shenzhen Fine Art Institute, ed. Retrospection of Experimental Ink & Wash 1985-2000, Hunan Fine Arts Publishing House, Huan, 2005.6, pp.50-59.

 

KoreanChinese Contemporary Ink Painting, Seoul Museum of Art, Seoul, 2005, pp.78-79.

 

Fan Dian, ed. 1th Annals Exhibition of Chinese Contemporary Art, Hunan Fine Arts Publishing House, Huan, 2005.12, pp.255-257.

 

2006 Revival: New Ink Art Shanghai, Zhu Qizhan Art Museum, shanghai; Shanghai Duolun Museum of Modern Art, Shanghai, 2006.5, p.26.

 

Huitai Art Center, ed. Du: Expression of Contemporary Chinese Water and Ink Painting, Asia Culture Exchange Association, 2006, pp.134-137.

 

Lu Peng, ed. A Histroy of Art in 20th Century China, Peking University Press, Beijing, 2006.12, pp.1016-1017.

 

Contemporary Cultural Venation·China Version: 2007 Credit Suisse Beijing Comprehensive Art Exhibition florilegium, Hebei Fine Arts Publishing House, Hebei, 2007, pp.91-92.

 

The Collection of Artworks by Chinese Contemporary Painters, People’s Fine Arts Publishing House, Beijing, 2007.6, pp.58-59.

 

Everloving Shuimo: the 2th Invite Exhibition of the Shuimo of Songzhuang China, Hunan Fine Arts Publishing House, Huan, 2007, pp.22-23.

 

A Tradition Redefined: Modern and Contemporary Chinese Ink Paintings From the Chu-tsing Li Collection 1950-2000, Yale University Press, New Haven, 2007, p48-49.

 

Gao Minglu, ed. Ink Narrative, Asia Culture Exchange Association, 2007.7, pp.20-27.

 

Qi Yun: An Expression concerning Liberty, Lingnan Fine Arts Publishing House, Guangzhou, China, 2007, pp.73-101.

 

Feng Bin & Shen Kuiyi, eds. Reboot: the Third Chengdu Biennale, Hebei Fine Arts Publishing House, Heibei, 2007, pp.28-29.

 

Post AvantGarde Chinese Contemporary Art: Four Directions of the New Era, Atting House Limited, Hongkong S.A.R., 2007, pp.44-47.

 

Set off from Southwest: Southwest contemporary Art Exhibition 1985-2007, Guangdong Museum of Art, Guangzhou, 2008, pp.114-117.

 

Chinese Ink Art, 2008·Volume One, The Global TimesChinese Artistic State Publishing House, 2008.6, pp.127-133.

 

Ink Is Not Equivocal to Ink Painting: Li Huasheng, Zhangyu, Liangquan Art Exhibition, HJY Art Center, Beijing, 2008.8, pp.18-41.

 

A Selection from Contemporary Famous Chinese Painters (Part II Chinese Paintings), Shanghai People’s Fine Arts Publishing House, Shanghai, 2008.10. pp.48-56.

 

InkNotInk: Chinese Contemporary Ink and Wash Art Exhibition, Shenzhen Art Museum, Shenzhen, 2008, p.18.

 

chen Jiu, ed. Catalog of Contemporary Ink Painting2009 Shanghai New Painting Art Exhibition, Zhu Qizhan Art Museum, shanghai; Shanghai Duolun Museum of Modern Art, Shanghai, 2009.5, pp.114-115.

 

Collector: First Annual Conference of collectors of Chinese Contemporary Art, Songzhuang, China, 2009, p91.

 

1th China·Chinese Ink Bienniale, Chinese Drama Publishing House, Beijing, 2009.12, pp.20-21.

 

PointsCrosses—Chinese Contemporary Arts Exhibition,Shanghai 2010 Arts Center, Shanghai, 2010, pp.48-53.

 

National Art Museum of China, ed. The Great Celestial Abstraction: Chinese Art in the 21st Century, Chinese Artist Publishing House, 2010.4, pp.30-43.

 

Li Xu, ed. The Future to Abstract Art, Hunan Fine Arts Publishing House, Huan, China, 2011.7, pp.50-61.

 

Eine andere Moderne, Jiangsu Fine Arts Publishing House, Jiangsu, 2012.8, pp.48-54.

 

Chinese Contemporary Abstract, 1980s Until present: MindMap, Pearl Lam Galleries, Hong Kong, 2012, pp.32-35.

 

Gao Minglu, ed. Original Forms of Chinese Water Ink Painting, Jiangsu Fine Arts Publishing House, Jiangsu, 2012.10, pp.27-37.

 

Artist’s Trival Living I, Blue Roof Museum, Chengdu, 2013, pp.95-111.

 

Jing shen. The Act of Painting in Contemporary China , Silvana Editoriale S.p.A. Cinisello Balsamo, Milano , 2015, pp.68-73.

 

 

Theories:

 

Zha Changping, ed. Humanities & Art, Guizhou People’s Fine Arts Publishing House, Guizhou, 1998, pp.1-27.

 

Gao Minglu, ed. Special Method in Kind·Special Modernism in Kind, Shanghai Publishing House of Calligraphy and Painting, Shanghai, 2005.9, pp.64-64.

 

Lu Hong, ed. China Avant-Garde Art, Hebei Fine Arts Publishing House, Hebei, 2006.1, p302.

 

La Caixa Forum, The Yi School: Thirty Years of Chinese Abstract Art, La Caixa Forum, Barcelona, 2008, pp.224-227.

 

Lu Peng, ed. The Story of “Art”in China: From Later Qing Dynasty to Present, Peking University Press, Beijing, 2010.5, pp.344-345.

 

Thirty Years of Adventures, Timezone 8 Limited, 2010.5, pp.490-491.

 

 

Magazines:

 

Chinese Literature(May.1982), frontcover.

 

Artist(Taiwan, Feb.1996), p342.

 

Wang Chuan. “Youguan Li Huasheng he ta de fanggezi”有关李华生和他的方格子[About Li Huasheng and his grid painting]. Jiangsu Art monthly, 2004.4, p41.

 

 “Li Huasheng fangtanlu”李华生访谈录[An interview with Li Huasheng].Prayer Beads and Brush Strokes, 2003.7.26-10.10.

 

Wang Mingan, Repetition and Perfection, Art of China, Volume 3, 2008. pp 29-47. 

 

Wang Mingan, Repetition and Perfection, Art of the World, 2008.10, pp.110-113.

 

Chinese Art, Volume 3, 2008, pp.28-47. 

 

Gao Minglu. “Li Huasheng xian riji”李华生线日记[Li Huasheng line diary].Yishu Zhuangtai艺术状态[Art Status], 2008.7, pp31-33.

 

Lv Peng. “Li Huasheng de geizi”李华生的格子[Li Huasheng’s grid].Yishu Zhuangtai艺术状态[Art Status], 2008.7, pp34-39.

 

“Interview: Nataline&Li Huasheng ”. Yishu Zhuangtai艺术状态[Art Status], 2008.7, pp40-44.

 

Art Collection. 2008.11, pp1- 8.

 

Nataline. “Jiaocha de chundu: dui Li Huasheng de fangtan”对李华生的访谈[the Purity of Cross: an Interview with Li Huasheng]. Art of China, Volume 3, 2008, pp 114 -116. 

 

Lv Peng. “Li Huasheng de geizi”李华生的格子[Li Huasheng’s grid]. Art of China, Volume 3, 2008, pp 117 -119. 

 

Liao Wen, “Nianzhu yu bichu”念珠与笔触[Prayer Beads and Brush Strokes]. Art of China, Volume 3, 2008, pp 120 -121. 

 

 “Chongfu yu xiulian: tan Li Huasheng de huihua”重复与修炼:谈李华生的绘画[Reiteration&Cultivation: About Li Hua Sheng’s Painting].Guojia Meishu国家美术[Art of Country], 2009.8, pp74-79.

 

Art Guide, 2009.3, pp106-108.